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Rebranding rule : images of restoration and revolution monarchy, 1660-1714

Author: Kevin Sharpe
Publisher: New Haven : Yale University Press, [2013] ©2013
Edition/Format:   Print book : EnglishView all editions and formats
Summary:
"In the climactic part of his three-book series exploring the importance of public image in the Tudor and Stuart monarchies, Kevin Sharpe employs a remarkable interdisciplinary approach that draws on literary studies and art history as well as political, cultural, and social history to show how this preoccupation with public representation met the challenge of dealing with the aftermath of Cromwell's interregnum and  Read more...
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Genre/Form: History
Document Type: Book
All Authors / Contributors: Kevin Sharpe
ISBN: 9780300162011 0300162014
OCLC Number: 785864934
Description: xxi, 849 pages : illustrations ; 24 cm
Contents: Introduction: Representing restored monarchy. --
Re-presenting and reconstituting kingship. Rewriting royalty ; Redrawing regality ; Rituals of restored majesty ; A changed culture, divided kingdom and contested kingship. --
Confessional kingship? Representations of James II. Prologue: A king represented and misrepresented ; A king of many words ; A popish face? Images of James II ; Staging Catholic kingship ; Countering 'Catholic kingship' and contesting revolution. --
Representing revolution. Prologue: An image revolution? ; Scripting the revolution ; Figuring revolution ; A king off the stage ; Rival representations. --
Representing Stuart queenship. Prologue: Semper Eadem? Queen Anne ; A Stuart's words: Queen Anne and the scripts of post-revolution monarchy ; Re-depicting female rule: The image of the queen ; Stuart Rituals: Queen Anne and the performance of monarchy ; Party contest and the queen.
Responsibility: Kevin Sharpe.

Abstract:

Explores the importance of public image in the Tudor and Stuart monarchies.  Read more...

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"Like many works not yet in the publication pipeline at the time of the author's death, it could easily have been lost to us if Sharpe's friend and colleague Mark Knights had not seen it through its Read more...

 
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